Maria Loboda

Born in 1979. Lives and works in Berlin and Cracow.


2003 – 2008 – Städelschule, Staatliche Hochschule für Bildende Künste, Frankfurt

2015 – 2016 – Guest lecturer at the Zuricher Hochschule der Bildenden Künste, Zurich




The Year of Living Dangerously, ECHO Cologne (organized by Wschód), Cologne

The Year of Living Dangerously, Art Basel Parcours, Basel



LISTEN TO ME, LITTLE PIG !, Thomas Schulte, Berlin


Her Dark Materials, Wschód, Warsaw

Two Ribbons Engaged in an Aerial Combat, Handbook for City Dwellers, Krakow

Woman observing the Alpha Persei Cluster, Thomas Schulte, Berlin

Omniabsent, Maisterravalbuena, Madrid

Hearing otherworldly music, The Model, comisariado por Emer McGarry, Sligo


Volcano Extravaganza, artistic leader courted with Milovan Farronato, Stromboli

Construir un negocio que nunca verá su fin, Museo Tamayo, Mexico City

Sitting Here Bored Like a Leopard, Ujazdowski Castle Centre for Contemporary Art, Warsaw


Idyl in an electronics factory, SCHIRN Kunsthalle Frankfurt


I am Radiant, I am Radiant, I am Radiant in my Defeat, curated by Ula Tornau, CAC Vilnius

Havoc in the Heavenly Kingdom, Kunsthalle Basel

La Fête, La Musique, La Noce, IAC, Villeurbanne


Mmmmhhmmmmm, CAB, Burgos

Some weep, some blow flutes, The Power Plant, Contemporary Gallery, Toronto

Art Weekend Zuoz, Hotel Castell, Zuoz

Domestic Affairs and Death, Maisterravalbuena, Madrid


Movements that Mattered, permanent site specific installation, curated by Lidia Krawczyk Galeria Bunkier Sztuki, Krakow

The pursuit of illusions and the dissipation of energy on false choices. Under rare and extreme circumstances, may indicate the revelation of transcendental spiritual truth, CAPRI, Düsseldorf

Night Conquers Day, Contemporary Art. Gallery Bunkier Sztuki, Krakow and Tatra Museum, Zakopane


The Plutonian House, Mendes Wood DM, São Paulo

A Rapid Approach or more likely Departure, Schleicher/Lange, Berlín

Dead Guardian, Kunstverein Braunschweig, Braunschweig


Chalcedony into Onyx, curated by Anna Gritz, one evening event at South London Gallery, London

Las Fieras, Museo Reina Sofia, Madrid

Frieze Projects, curated by Cecilia Alemani, Randalls Island, New York

General Electric, Andrew Kreps Gallery, New York


The Tempest, Ludlow 38, New York

The Messenger (Be aware of the one who appears not to be moving), Schleicher/Lange, Paris


Peril, Maisterravalbuena, Madrid

Dynamite Winter Palace, Galerie Schleicher/Lange, Paris


In the Autumn the Electricity withdraws into the Earth again and rests, Krome Gallery, Berlin

New thoughts, Old Forms, Bielefelder Kunstverein, Bielefeld


Conversational Style, Galerie Schleicher+Lange, Paris


Moderne Ehe, Ritter & Staiff, Frankfurt am Main




Man’s Traces in Nature, Wschód, Warsaw


Proposal for a show, Wschód, Warsaw

Listen to a heartbeat, Thomas Schulte, Berlin

Sculpture & Nature, Sculpture Park Schloss Schwante, Oberkrämer, Germany

Haptic Feedback, Thomas Schulte, Berlin


May You Live in Interesting Times, 58th Venice Biennale, Venice, Italy, curated by Ralph Rugoff

Yorkshire Sculpture International, Henry Moore Foundation, UK, curated by Laurence Sillars


Oh, that I had a thousand tongues, Tinos Quarry Platform, curated by Nikola Dietrich

Free Jazz II, Contemporary Art Center, Singapore, curated by Magdalena Magiera

Beyond the River, The Staatliche Kunstsammlungen Dresden, curated by Hilke Wagner

Infinity has its limits, curated by Samuel Leuenberger and Elise Lammer, Salts Basel

Group show curated by Nikola Dietrich Tinos Quary Platform, Tinos

The Future Is Certain; It’s the Past Which Is Unpredictable, Blaffer Art Museum, curated by Monika Lipsic

Pompei@Madre. Materia Archeologica, MADRE, Naples, curated by Andrea Villiani

Sculpture Park – CAC Vilnius, curated by Kestutis Kuizinas. Lithuania

A sedução de uma vírgula bem colocada, Museu de Arte Contemporânea de Elvas, Elvas

Oh that I had a thousand tongues, Cultural Foundation of Tinos, Tinos

Enchanted Bodies / Fetish for Freedom, curated by Bernardo Mosqueira, GAMeC, Bergamo


Days are Dogs – Carte Blanche à Camille Henrot, Palais Tokyo Paris, curated by Camille Henrot and Daria de Beauvais, Paris

Giles Round. They bow. Curtain. No applause., Spike Island, Bristol

Si Sedes Non Is, comisariado por Milovan Farronato, The Breeder, Athens


Completely Something Else, curated by Jacopo Crivelli, Point Centre for Contemporary Art, Nicosia

Peles empire, Berlin

Back to Mulholland Drive, curated by Nicolas Bourriaud, La Panacée, Montpellier

The Winter of our Discontent, curated by Jacopo Crivelli Visconti, Galerie Martin Janda, Vienna

The Vanished Reality, curated by Ciara Moloney, Modern Art Oxford

In One’s Own Time, curated by Constantin Thun, Emalin, San Giuseppe delle Scalze, Naples

I Go Where I Don’t Belong, curated by Camille Henrot, Vulcano Extravaganza, Stromboli

The Tarantallegra, curated by Nicoletta Lambertucci, Hester, New York

A Change of Heart, curated by Chris Sharp, Hannah Hofmann Gallery, Los Angeles

Buffalo Head: A Democratic Storytelling Experience, curated by Camille Henrot Park Nights Serpentine Gallery, London

Contemporary Art from Poland, curated by Britta von Campenhausen Exhibition at the European Central Bank in Frankfurt am Main

The portent of light, comisariado for Jaro Varga. Meet Factory, Prague

Folly, Dunmore Pineapple Airth, Falkirk, Scotland, curated by Emalin


Dans la Bataille Pense a Moi, curated by Magalie Meunier Institue d’ art contemporain, Villeurbanne / Rhone- Alpes

ArtLine 30 Projects for the Contemporary Park, Milano, Italy, curated by Sara Dolfi Agostini and Roberto Pinto

Moving Image Department, Chapter III, curated by Adam Budak and Jen Kratochvil, National Gallery, Prague

Stranger than Paradise, curated by Gesine Borcherdt, Sies + Höke, Düsseldorf

Zehn Räume, Drei Loggien und Ein Saal, curated by Reinhard Spieler, Sprengel Museum Hannover

Words Aren’t the Thing, CAC, Vilnius

Psychic Lighthouse, The Model, Sligo

Trouble in Paradise, Kunsthalle der Bundesrepublik Deutschland, Bonn

Parliament of things, curated by Nicole Yip, Firstsite, Colchester

The Grantchester Pottery Paints the Stage, Jerwood Space, London

DZ Hosts The Violet Crab: Nights of Cabaret at DRAF, curated by Nicoletta Lambertucci, DRAF – David Roberts Art Foundation, London

132,54 m2, SCHLEICHER/LANGE, Berlin


Tatra Conference, curated by Kasia Redzisz and Magda Materna, Zakopane

Lives of Performers, Centre d’art contemporain de la Ferme du Buisson, Marne-la-Vallée

Pier 54, High Line, curated by Cecilia Alemani, New York

Taipei Biennial 2014. Taipei Fine Arts Museum, Taiwan

Leaving to come back, curated by Jacopo Crivelli Visconti, Cuenca’s Biennial, Cuenca

Breaking News from the Ether, co-curated by Sébastien Pluot, La Pancée, Centre de culture contemporaine, Montpellier

A Bridge between Luxembourg and New York – Edward Steichen Award 2004 – 2014, MUDA

M – Musée d’Art Moderne Grand-Duc Jean, Luxembourg

Abracadabra | Disappear like this word, Galeria Aleksander Bruno, Warsaw


Because the world is round, it turns me on, curated by Clara Meister, Arratia Beer, Berlin

The things we know, curated by Tim Saltarelli, Henningsen Gallery, Copenhagen

Girls can tell, GAK-Gesellschaft für  aktuelle Kunst, Bremen

AB, curated by Gabriele de Santis, Nomas Foundation, Rome

Champs Elysées, curated by Julie Boukobza, Simon Castets and Nicola Trezzi, Palais de Tokyo, Paris

Entre lo fugitivo y lo infinito, Maisterravalbuena, Madrid

There’s no place like home, Westfälischer Kunstverein, Münster

I Know You, Irish Museum of Modern Art, Dublin

Revolution from Within, Kaufmann Repetto, Milan

Ground. Materiality nº2 (earth), curated by Brigitte Kirkhoff, Sorø Kunstmuseum, Sorø

Archeology of Memory, curated by Birgitte Kirkhoff, Sorø Kunstmuseum, Sorø


Castle in the Air, curated by Adam Budak, Zamek Poznan

Art by Telephone… recalled (touring exhibition), curated by Sébastien Pluot and Fabien Val, Cneai, Paris

CAPC, Emily Harvey Foundation, New York, USA,ESBA TALM site D’Angers, EBABX Bordeaux, Bernard College, Columbia

University San Francisco Art Institute

Estate, curated by Lucie Fontaine, Marianne Boesky Gallery, New York

Le fond de l’aire effraie, curated by Camille Henrot and Lou Svahn, Grand Tour Biennale de Belleville, Atelier Camille Henrot, Paris

A Guide to Insults and Misanthropy, curated by Clara Meister, Ludlow 38, New York

Soundworks, ICA, London

dOCUMENTA (13), curated by Carolyn Christov-Bakargiev, Karlsaue, Kassel

Coded Transmission, Schleicher/Lange, Berlin

The Exact Weight of Lightness, curated by Thom O’Nions and Ana Luiza Teixeira de Freitas, Travesia Cuatro, Madrid

(entre)ouverture, curated by Daria de Beauvais, Palais de Tokyo, Paris

Objects and Disintegrations, curated by Patrycja Rylko, Galeria Miejska, Gdansk

Into the Woods, curated by Daria de Beauvais, Galerie des Galeries, Paris




Edward Steichen Art Award for New York City, Luxembourg

International Residency at Les Recollects, Paris


Scholarship by the Cultural Foundation of Hessen for London


Dynamo-Eintracht, Scholarship of Kulturstiftung Dresden/ Dresdener Bank


Dellbrück Bethmann Privatbank Prize